It starts then for her with this odd mixture of familiarity and unfamiliarity, with a chain of thoughts set off by a particular shade of beige, and by the sensation of being back on the passenger side of a vehicle--riding shotgun, in the dead man's seat... It starts there, and then it shifts very quickly into discomfort, the scene being almost something she knows so intimately. It's that unbidden intimacy that slips in and unsettles her.
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Tuesday, November 11, 2014
If I Loved You, I Would Tell You This - Pg 55 : Immortalizing John Parker
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